Doug Duke Biography

Douglas Duke did it all—toured the U.S. with Lionel Hampton and a number of other bands, worked with a trio in the small jazz houses of New York City, toured Western Europe and South America with singer Sarah Vaughn and other performers, appeared on television in the U.S. and Europe performed as a jazz organ/piano soloist, cut several records for Philips and Decca and even opened his own club at 4449 Lake Avenue in his home town of Rochester, NY. He liked to call his club “The Music Room.” 

About his friend, Doug Duke, Walter Dixon had this to say, “Doug Duke’s life was just a love affair with music and everything else. Everything he did, he did very well…and that included building and racing boats, racing sports cars, flying his own plane and modifying electric organs.” When Doug Duke died on November 23, 1973, Walter Dixon lamented, “At his best, he could play rings around anybody else in the business,” but he was never able to reach a wider audience of people who could “understand what he was trying to do.” None of Mr. Duke’s recordings “show the greatness of which he was capable; his death is such a loss because now that can never happen.” Fortunately, Mr. Dixon made it a point to preserve nearly thirty hours of his recording sessions with the man whose music he so greatly admired. 

Born in 1920 in Buenos Aires, Argentina, Mr. Duke was the son of a concert violinist father and a vocalist mother. He was brought to Rochester, NY, his mother’s hometown, when he was two years old. 

Coming Soon: A comprehensive biographical sketch of Mr. Duke’s professional career, including audio clips from Paul Preo and Lionel Hampton, plus quotes from notables such as Marion McPartland. Interesting facts about his personal life will also appear on this page. 

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Doug Duke Biography

Douglas Duke did it all—toured the U.S. with Lionel Hampton and a number of other bands, worked with a trio in the small jazz houses of New York City, toured Western Europe and South America with singer Sarah Vaughn and other performers, appeared on television in the U.S. and Europe performed as a jazz organ/piano soloist, cut several records for Philips and Decca and even opened his own club at 4449 Lake Avenue in his home town of Rochester, NY. He liked to call his club “The Music Room.” 

About his friend, Doug Duke, Walter Dixon’s had this to say, “Doug Duke’s life was just a love affair with music and everything else. Everything he did, he did very well…and that included building and racing boats, racing sports cars, flying his own plane and modifying electric organs.” When Doug Duke died on November 23, 1973, Walter Dixon’s lamented, “At his best, he could play rings around anybody else in the business,” but he was never able to reach a wider audience of people who could “understand what he was trying to do.” None of Mr. Duke’s recordings “show the greatness of which he was capable; his death is such a loss because now that can never happen.” Fortunately, Mr. Dixon’s made it a point to preserve nearly thirty hours of his recording sessions with the man whose music he so greatly admired. 

Born in 1920 in Buenos Aires, Argentina, Mr. Duke was the son of a concert violinist father and a vocalist mother. He was brought to Rochester, NY, his mother’s hometown, when he was two years old. 

Coming Soon: A comprehensive biographical sketch of Mr. Duke’s professional career, including audio clips from Paul Preo and Lionel Hampton, plus quotes from notables such as Marion McPartland. Interesting facts about his personal life will also appear on this page. 

White RibbonDownload
Brow Ribbon In CD CaseDownload
Orange Ribbon In CD CaseDownload
Time BetweenDownload
The Time Between CD CoverDownload
The Time Between Red RibbonDownload
Snow IllustrationDownload

ARRANGERS’ HOLIDAY CONCERTS

1963

1966

1968

It all began in 1959 when Rayburn Wright, enlisted the cooperation of Allen I. McHose, director of the Eastman School of Music’s summer session, and Don Hunsberger, conductor of the Eastman Wind Ensemble, who also taught contemporary scoring techniques and elementary arranging. Together they created a new summer program called Arrangers Workshop and Laboratory-Institute.

As an arranger, composer, conductor and co-director of Radio City Music Hall, Mr. Wright had long recognized how critically important it was for arrangers to actually hear their arrangements played by competent musicians. How else can new arrangers hear and judge their work as well as have it judged by others? And the Eastman School of Music provided the perfect venue for the birth of such a program.

At the end of each summer session the student-arrangers and musicians held a concert at the Eastman Theater. They called it Arrangers’ Holiday. It was fresh and new and totally unlike any other Eastman concert. Once the public was invited to join the student audience, the Arrangers’ Holiday concert became one of the highlights of Rochester’s summer entertainment. Over the years, jazz legends like Duke Ellington, Manny Albam and Dave Bruback were invited to become part of the performance.

Chosen because of his ongoing personal and professional relationship with the Eastman School of Music and his well known writing skills, Walter Dixon, producer/writer for WHAM, was overjoyed when he was repeatedly tapped to write the skits which served as the entertaining vehicle for showing off the musical dexterity of the featured student arrangers. Writing, producing and acting in these skits was pure fun for him. Three of the skits were found in his library of tapes. We are so happy to be able to now bring them to a brand new listening audience.